TITLE_NAME :
06/27/2026 - 09/04/2026
Isabel Hurley
Paseo de Reding 39, entreplanta 2
29016 Málaga
The exhibition is based on black and white photographs, taken during the demonstrations that took place in the streets of Chicago at the end of 1972, in protest against the intensification of bombings in Vietnam. 16 of these photos have been selected, which combine documentary and artistic. Marisa González was studying for a Master in Fine Arts at the Art Institute, enrolled in the Generative Systems Program, created shortly before by Sonia Sheridan, who was its director. Upon his arrival in the United States, he had found a country immersed in the mobilization of civil society, a transversal movement in which both students and veterans of the army and a good part of the citizens participated, regardless of age, race or status. Marisa joined the protests, camera in hand, happy to be able to make use of a fundamental right, such as the freedom of collective expression manifested in public space. During one of the demonstrations, he witnessed a spontaneous performance, which he did not hesitate to photograph. This image would give rise to numerous variants, thanks to the use of experimental production methods, associated with the new communication technologies, used by the students of Sheridan's course.
Isabel Hurley
Paseo de Reding 39, entreplanta 2
29016 Málaga
The exhibition is based on black and white photographs, taken during the demonstrations that took place in the streets of Chicago at the end of 1972, in protest against the intensification of bombings in Vietnam. 16 of these photos have been selected, which combine documentary and artistic. Marisa González was studying for a Master in Fine Arts at the Art Institute, enrolled in the Generative Systems Program, created shortly before by Sonia Sheridan, who was its director. Upon his arrival in the United States, he had found a country immersed in the mobilization of civil society, a transversal movement in which both students and veterans of the army and a good part of the citizens participated, regardless of age, race or status. Marisa joined the protests, camera in hand, happy to be able to make use of a fundamental right, such as the freedom of collective expression manifested in public space. During one of the demonstrations, he witnessed a spontaneous performance, which he did not hesitate to photograph. This image would give rise to numerous variants, thanks to the use of experimental production methods, associated with the new communication technologies, used by the students of Sheridan's course.