TITLE_NAME :
02/07/2026 - 05/17/2026
Musée de la Photographie
Place des Essarts
11, avenue Paul Pastur
6032 Charleroi
Over the past three decades, Gregory Crewdson has been fleshing out a portrait of middle America, that America of picket-fence suburbia gazing wide-eyed at the glimmers of a fading dream which has long since faded and wilted. His cinematographically staged photos have gradually pieced together the fragments of a twilight world.
This exhibition brings together works from the three series created between 2012 and 2022. Envisaged as a trilogy, they offer unique insight into a decade of creation and reveal the two central axes – intimate and political – of the universe that has posited Gregory Crewdson as one of the major figures of photography.
This trilogy reveals the major articulations of Gregory Crewdson’s art, in a fine oscillation between poetics and politics, between a man’s down-to-earth sensitivity and his piercing grasp of the backwash thudding against a world in the grip of slow brutality.
Musée de la Photographie
Place des Essarts
11, avenue Paul Pastur
6032 Charleroi
Over the past three decades, Gregory Crewdson has been fleshing out a portrait of middle America, that America of picket-fence suburbia gazing wide-eyed at the glimmers of a fading dream which has long since faded and wilted. His cinematographically staged photos have gradually pieced together the fragments of a twilight world.
This exhibition brings together works from the three series created between 2012 and 2022. Envisaged as a trilogy, they offer unique insight into a decade of creation and reveal the two central axes – intimate and political – of the universe that has posited Gregory Crewdson as one of the major figures of photography.
This trilogy reveals the major articulations of Gregory Crewdson’s art, in a fine oscillation between poetics and politics, between a man’s down-to-earth sensitivity and his piercing grasp of the backwash thudding against a world in the grip of slow brutality.