TITLE_NAME :
06/10/2026 - 09/13/2026
Maison Européenne de la Photographie, Paris
5/7, rue de Fourcy
75004 Paris
Produced on the occasion of the bicentenary of photography, the exhibition Photography from A to Z was conceived in close collaboration with the Neuflize OBC Corporate Collection. It brings together works from this collection, placed in dialogue with works from the MEP collections, offering a cross-perspective between the richness of both photographic holdings. Far from any linear narrative, it unfolds a reading based on associations, encounters, and shifts, where the works dictate their own order, independent of any chronology or hierarchy.
Each letter becomes a word, and each word summons a group of works that converse with one another, sometimes in surprising ways. Here, LIFE magazine meets with Kodak advertising, Noctambules find themselves at the Museum, and Simulacrum negotiates with Truth. These juxtapositions reveal the identity of the Neuflize OBC Corporate Collection—deeply rooted in contemporary creation, yet tracing its origins back to the avant-garde movements of the 1920s.
From Rineke Dijkstra to Bernard Plossu, and from Agnès Geoffray to Florence Henri, the numerous artists featured in the exhibition reflect a multiplicity of ways of seeing, displaying, and conceptualizing the photographic image.
Maison Européenne de la Photographie, Paris
5/7, rue de Fourcy
75004 Paris
Produced on the occasion of the bicentenary of photography, the exhibition Photography from A to Z was conceived in close collaboration with the Neuflize OBC Corporate Collection. It brings together works from this collection, placed in dialogue with works from the MEP collections, offering a cross-perspective between the richness of both photographic holdings. Far from any linear narrative, it unfolds a reading based on associations, encounters, and shifts, where the works dictate their own order, independent of any chronology or hierarchy.
Each letter becomes a word, and each word summons a group of works that converse with one another, sometimes in surprising ways. Here, LIFE magazine meets with Kodak advertising, Noctambules find themselves at the Museum, and Simulacrum negotiates with Truth. These juxtapositions reveal the identity of the Neuflize OBC Corporate Collection—deeply rooted in contemporary creation, yet tracing its origins back to the avant-garde movements of the 1920s.
From Rineke Dijkstra to Bernard Plossu, and from Agnès Geoffray to Florence Henri, the numerous artists featured in the exhibition reflect a multiplicity of ways of seeing, displaying, and conceptualizing the photographic image.