TITLE_NAME :
06/27/2025 - 09/23/2025
HAMILTONS
13 Carlos Place
W1K 2EU London
In the autumn of 1989, photographer Nick Waplington was introduced to fashion designer Isaac Mizrahi through their mutual friend, the titan of photography Richard Avedon. This initial meeting would turn into a three-year working and personal relationship, resulting in a collection of photographs of the goings-on behind the scenes at Mizrahi's studio in downtown Manhattan.
With his daylight hours filled with the creativity and chaos of the fashion studio, Waplington also turned his lens by night to the pounding and equally innovative world of the New York City house and techno scene. Waplington describes his decision to bring the two sets of images together as a riotous juxtaposition which “describes the vibrancy of a vanished moment in New York's cultural history.”
HAMILTONS
13 Carlos Place
W1K 2EU London
In the autumn of 1989, photographer Nick Waplington was introduced to fashion designer Isaac Mizrahi through their mutual friend, the titan of photography Richard Avedon. This initial meeting would turn into a three-year working and personal relationship, resulting in a collection of photographs of the goings-on behind the scenes at Mizrahi's studio in downtown Manhattan.
With his daylight hours filled with the creativity and chaos of the fashion studio, Waplington also turned his lens by night to the pounding and equally innovative world of the New York City house and techno scene. Waplington describes his decision to bring the two sets of images together as a riotous juxtaposition which “describes the vibrancy of a vanished moment in New York's cultural history.”