Ioana Cîrlig Maria, Sfiștofca village, Danube Delta (from Zâne project) 2016 - Courtesy of the artist and Anca Poterasu Gallery.
TITLE_NAME :
Acting in his place
27/02/2026 - 28/03/2026
Anca Poterasu Gallery
26 Popa Soare Street, sector 2
023983 Bucharest
https://www.ancapoterasu.com/
Over two weeks in July 2025, a group of artists (Morgane Denzler, Damien Rouxel, Delia Popa, Ioana Cirlig, Andreea Medar and Ilie Mihali) reactivated the project in Săcel (Maramureș, Romania) at the invitation of Anca Poterașu (ARAC). A collective time of thought, encounters, plastic experiments, discussions and questioning about the agricultural realities of our place. We are aware of the extreme fragility of these agricultural realities. Practices are based on family subsistence. This blatant fragility contrasts with the intensity of the interdependence between faith, rurality, crafts (ceramics, weaving and embroidery in particular), traditions, animals, the river and the forest.
At Săcel, everything in daily life and in its own ecosystem (visible and invisible, human and more-than-human), is connected. Thus, Morgane Denzler continued her reflections on sheep farming, wool and the relationship between shepherd, flock and place. Damien Rouxel sought to merge personal issues with observations made in Maramureș about traditions and material realities.
27/02/2026 - 28/03/2026
Anca Poterasu Gallery
26 Popa Soare Street, sector 2
023983 Bucharest
https://www.ancapoterasu.com/
Over two weeks in July 2025, a group of artists (Morgane Denzler, Damien Rouxel, Delia Popa, Ioana Cirlig, Andreea Medar and Ilie Mihali) reactivated the project in Săcel (Maramureș, Romania) at the invitation of Anca Poterașu (ARAC). A collective time of thought, encounters, plastic experiments, discussions and questioning about the agricultural realities of our place. We are aware of the extreme fragility of these agricultural realities. Practices are based on family subsistence. This blatant fragility contrasts with the intensity of the interdependence between faith, rurality, crafts (ceramics, weaving and embroidery in particular), traditions, animals, the river and the forest.
At Săcel, everything in daily life and in its own ecosystem (visible and invisible, human and more-than-human), is connected. Thus, Morgane Denzler continued her reflections on sheep farming, wool and the relationship between shepherd, flock and place. Damien Rouxel sought to merge personal issues with observations made in Maramureș about traditions and material realities.