Courtesy of Bittty Gordon and L'Avant Galerie Vossen.
TITLE_NAME :
From Spam to Slop
09/10/2025 - 16/11/2025
L'Avant Galerie Vossen
58 rue Chapon
75003 Paris
https://avant-galerie.com/en/
In the beginning of the internet, there was Spam. Now, with AI, we have Slop
Our screens are overwhelmed by visual saturation of cosmic proportions, featuring increasingly captivating and bizarre content. The exhibition From Spam to Slop examines two overflowing phenomena of contemporary visual culture driven by artificial intelligence: SPAM ART, a subversive artistic practice that saturates social media and digital spaces, and SLOP, an industrial mechanism producing strange and unsettling AI-generated imagery for commercial gain and manipulative purposes.
What drives SPAM ART members: transforming the internet into a playground by spamming everyone and infiltrating spaces where they're unwelcome. They take pleasure in invading the Centre Pompidou's NFT collection by flooding it with hundreds of unsolicited works, overwhelming specific hashtags on X (Twitter) with their compositions, or rendering online exhibition spaces unusable.
09/10/2025 - 16/11/2025
L'Avant Galerie Vossen
58 rue Chapon
75003 Paris
https://avant-galerie.com/en/
In the beginning of the internet, there was Spam. Now, with AI, we have Slop
Our screens are overwhelmed by visual saturation of cosmic proportions, featuring increasingly captivating and bizarre content. The exhibition From Spam to Slop examines two overflowing phenomena of contemporary visual culture driven by artificial intelligence: SPAM ART, a subversive artistic practice that saturates social media and digital spaces, and SLOP, an industrial mechanism producing strange and unsettling AI-generated imagery for commercial gain and manipulative purposes.
What drives SPAM ART members: transforming the internet into a playground by spamming everyone and infiltrating spaces where they're unwelcome. They take pleasure in invading the Centre Pompidou's NFT collection by flooding it with hundreds of unsolicited works, overwhelming specific hashtags on X (Twitter) with their compositions, or rendering online exhibition spaces unusable.