![Heinrich Riebesehl, Menschen Im Fahrstuhl, 20.11.1969 [People in the Elevator, 20.11.1969] 1969 Kicken Berlin © Heinrich Riebesehl, by SIAE 2025](/Ds/Exhibis_reedexpparisphoto/Conference/8313790F-0726-CCBB-447C-3E8E011BD825/ZL_V1_IMG/fr/t/fondazionepradatypologien.jpg?DsCode=EXHIBIS)
Heinrich Riebesehl, Menschen Im Fahrstuhl, 20.11.1969 [People in the Elevator, 20.11.1969] 1969 Kicken Berlin © Heinrich Riebesehl, by SIAE 2025
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Typologien: Photography in 20th-Century Germany
03/04/2025 - 14/07/2025
Fondazione Prada
Largo Isarco, 2
20139 Milan
www.fondazioneprada.org/?lang=en
Typologien is an extensive study dedicated to 20th-century German photography. The exhibition, hosted within Podium, the central building of the Milan headquarters, is curated by Susanne Pfeffer, art historian and director of the Museum MMK für Moderne Kunst, Frankfurt.
The project attempts to apply the principle of “typology,” which originated in 17th- and 18th-century botany to categorize and study plants, and appeared in photography in the early 1900s, affirming itself in Germany throughout the 20th century.
The exhibition path will follow a typological rather than a chronological order, bringing together more than 600 photographic works by 25 established and lesser-known artists essential for recounting a century of German photography, including Bernd and Hilla Becher, Sibylle Bergemann, Karl Blossfeldt, Ursula Böhmer, Christian Borchert, Margit Emmrich, Hans-Peter Feldmann, Isa Genzken, Andreas Gursky, Candida Höfer, Lotte Jacobi, Jochen Lempert, Simone Nieweg, Sigmar Polke, Gerhard Richter, Heinrich Riebesehl, Thomas Ruff, August Sander, Ursula Schulz-Dornburg, Thomas Struth, Wolfgang Tillmans, Rosemarie Trockel, Umbo (Otto Umbehr), and Marianne Wex.
03/04/2025 - 14/07/2025
Fondazione Prada
Largo Isarco, 2
20139 Milan
www.fondazioneprada.org/?lang=en
Typologien is an extensive study dedicated to 20th-century German photography. The exhibition, hosted within Podium, the central building of the Milan headquarters, is curated by Susanne Pfeffer, art historian and director of the Museum MMK für Moderne Kunst, Frankfurt.
The project attempts to apply the principle of “typology,” which originated in 17th- and 18th-century botany to categorize and study plants, and appeared in photography in the early 1900s, affirming itself in Germany throughout the 20th century.
The exhibition path will follow a typological rather than a chronological order, bringing together more than 600 photographic works by 25 established and lesser-known artists essential for recounting a century of German photography, including Bernd and Hilla Becher, Sibylle Bergemann, Karl Blossfeldt, Ursula Böhmer, Christian Borchert, Margit Emmrich, Hans-Peter Feldmann, Isa Genzken, Andreas Gursky, Candida Höfer, Lotte Jacobi, Jochen Lempert, Simone Nieweg, Sigmar Polke, Gerhard Richter, Heinrich Riebesehl, Thomas Ruff, August Sander, Ursula Schulz-Dornburg, Thomas Struth, Wolfgang Tillmans, Rosemarie Trockel, Umbo (Otto Umbehr), and Marianne Wex.