James Barnor, Constance Mulondo, a student and singer from Uganda, aka “Cool Constance”, posing for the cover of Drum magazine at the Campbell-Drayton Studio, Gray’s Inn Road, London, 1967 - Courtesy of the artist & Galerie Clémentine de la Féronnière © James Barnor
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Paris Noir
19/03/2025 - 17/05/2025
Clementine de la Feronnière
51, rue saint-Louis-en-l’île
75004 Paris
Galerie Clémentine de la Féronnière is pleased to present a segment of the exhibition Paris Noir, a project presented under the Échos Paris noir label in collaboration with the Centre Pompidou. The exhibition showcases the work of three major photographic figures: George Hallett, William Melvin Kelley, and James Barnor, each of whom, in their own way, documented the artistic and intellectual movements of the African and Afro-descendant diasporas during the second half of the 20th century. The exhibition, which will be on view at the gallery from March 20 to May 17, 2025, explores the connections between the African continent, the United States, Paris and London, highlighting transnational cultural dynamics and the artistic commitment to recognition and emancipation.
19/03/2025 - 17/05/2025
Clementine de la Feronnière
51, rue saint-Louis-en-l’île
75004 Paris
Galerie Clémentine de la Féronnière is pleased to present a segment of the exhibition Paris Noir, a project presented under the Échos Paris noir label in collaboration with the Centre Pompidou. The exhibition showcases the work of three major photographic figures: George Hallett, William Melvin Kelley, and James Barnor, each of whom, in their own way, documented the artistic and intellectual movements of the African and Afro-descendant diasporas during the second half of the 20th century. The exhibition, which will be on view at the gallery from March 20 to May 17, 2025, explores the connections between the African continent, the United States, Paris and London, highlighting transnational cultural dynamics and the artistic commitment to recognition and emancipation.