Anaïs Tondeur, serie Fiori di fuoco, Ipomoea nil, Vesuvio, 2024 - Courtesy of the artist & Spot Home Gallery
TITLE_NAME :
Fiori di fuoco - Anaïs Tondeur
12/02/2025 - 12/04/2025
Spot Home Gallery
Via Toledo n. 66
80134 Napoli
https://www.spothomegallery.com/
Spot home gallery presents the exhibition by the French artist Anaïs Tondeur, Fiori di fuoco, from February 12 to April 12, 2025. In continuity of Chernobyl Herbarium, interweaving photography and ecology, botany and philosophy, this new series of phytographic imprints is developed with ruderal plants growing in other extreme soils of the Anthropocene, the Vesuvius area and Terra dei Fuochi, in the region of Naples. Created during an artist residency produced by the gallery, Fiori di fuoco unfolds as a correspondence between artist Anaïs Tondeur, philosopher Michael Marder, and plants that once aided healing people in Roman times and now contribute healing soils marked by the consequences of the incineration and burial of toxic waste in the depths of the region. In a landfill turned into an open-air photographic laboratory, the artist and the philosopher weave intimate bonds with these expressions of ecological vitality which grow in the ruins of capitalism.
12/02/2025 - 12/04/2025
Spot Home Gallery
Via Toledo n. 66
80134 Napoli
https://www.spothomegallery.com/
Spot home gallery presents the exhibition by the French artist Anaïs Tondeur, Fiori di fuoco, from February 12 to April 12, 2025. In continuity of Chernobyl Herbarium, interweaving photography and ecology, botany and philosophy, this new series of phytographic imprints is developed with ruderal plants growing in other extreme soils of the Anthropocene, the Vesuvius area and Terra dei Fuochi, in the region of Naples. Created during an artist residency produced by the gallery, Fiori di fuoco unfolds as a correspondence between artist Anaïs Tondeur, philosopher Michael Marder, and plants that once aided healing people in Roman times and now contribute healing soils marked by the consequences of the incineration and burial of toxic waste in the depths of the region. In a landfill turned into an open-air photographic laboratory, the artist and the philosopher weave intimate bonds with these expressions of ecological vitality which grow in the ruins of capitalism.