Alan Phelan, photographies réalisées avec la méthode des plaques de verre de Joly, 2019
TITLE_NAME :
Echos toujours plus sourds
12/11/2020 - 20/12/2020
Centre culturel irlandais
5, rue des Irlandais
75005 Paris
https://www.centreculturelirlandais.com/en/whats-on/exhibitions-events/kate-nolan
CCI is delighted to present this exhibition by artist Alan Phelan which brings together a selection of his unique Joly Screen photographs and a music video work. Over the past three years, Phelan has worked on reviving a forgotten colour photography process invented in the 1890s by Dublin physicist John Joly; this short-lived process used screens made of red, green and blue lines in conjunction with black and white film. Phelan imagines a visual history this invention never had. To do this, he uses art and historical references spanning over 500 years. The work presents a “counterfactual temporality”, a longer potential history for photography that contextualises it prior to its technical beginnings. Arranged in sequences that mix floral, self-portraits and objects, the photographs’ titles acknowledge their source while creating a new story.
12/11/2020 - 20/12/2020
Centre culturel irlandais
5, rue des Irlandais
75005 Paris
https://www.centreculturelirlandais.com/en/whats-on/exhibitions-events/kate-nolan
CCI is delighted to present this exhibition by artist Alan Phelan which brings together a selection of his unique Joly Screen photographs and a music video work. Over the past three years, Phelan has worked on reviving a forgotten colour photography process invented in the 1890s by Dublin physicist John Joly; this short-lived process used screens made of red, green and blue lines in conjunction with black and white film. Phelan imagines a visual history this invention never had. To do this, he uses art and historical references spanning over 500 years. The work presents a “counterfactual temporality”, a longer potential history for photography that contextualises it prior to its technical beginnings. Arranged in sequences that mix floral, self-portraits and objects, the photographs’ titles acknowledge their source while creating a new story.