Viktoria Binschtok, dollar skull #1’, 2026 - Courtesy of the artist and Klemm's Galleries.
TITLE_NAME :
Digital Semiotics
23/01/2026 - 07/03/2026
KLEMM'S
Prinzessinnenstrasse 29
10969 Berlin
www.klemms-berlin.com
Blending digital collages, enigmatic still lifes, and a variety of photographic techniques, 'Digital Semiotics' showcases Binschtok's innovative approach to image-making. Her photographs create constructed image spaces that reference abstract concepts—such as algorithms, visual codes, and networks—and explore how these ideas intricately intertwine online and offline realities. At its core, 'Digital Semiotics' engages with the coded symbols of our increasingly visual digital communication—symbols that both connect and separate us.
Viktoria Binschtok is one of the most prolific visual artists working in the field of conceptual image-making. Over the years, her practice has deeply examined the seismic shifts in visual culture, with a particular focus on the notion of visibility. By deferring source, context, and form, she raises questions about which content is conveyed within clearly defined image borders and which elements—based on shared cultural knowledge—transcend them. Binschtok draws equally from images found across all forms of media and from her own photography to examine their function and representation.
23/01/2026 - 07/03/2026
KLEMM'S
Prinzessinnenstrasse 29
10969 Berlin
www.klemms-berlin.com
Blending digital collages, enigmatic still lifes, and a variety of photographic techniques, 'Digital Semiotics' showcases Binschtok's innovative approach to image-making. Her photographs create constructed image spaces that reference abstract concepts—such as algorithms, visual codes, and networks—and explore how these ideas intricately intertwine online and offline realities. At its core, 'Digital Semiotics' engages with the coded symbols of our increasingly visual digital communication—symbols that both connect and separate us.
Viktoria Binschtok is one of the most prolific visual artists working in the field of conceptual image-making. Over the years, her practice has deeply examined the seismic shifts in visual culture, with a particular focus on the notion of visibility. By deferring source, context, and form, she raises questions about which content is conveyed within clearly defined image borders and which elements—based on shared cultural knowledge—transcend them. Binschtok draws equally from images found across all forms of media and from her own photography to examine their function and representation.