Selections from Copy Machine Manifesto : Artists Who Make Zines
TITLE_NAME :
Copy Machine Manifestos: Artists Who Make Zines
17/11/2023 - 31/03/2024
Brooklyn Museum
200 Eastern Pkwy,
NY 11238 Brooklyn
www.brooklynmuseum.org/
Copy Machine Manifestos: Artists Who Make Zines is the first exhibition dedicated to the rich history of five decades of artists’ zines produced in North America. Since the 1970s, zines—short for “fanzines,” magazines, or self-published booklets of texts and images, usually made with a copy machine—have given a voice and visibility to many operating outside of mainstream culture. Artists have harnessed the medium’s essential role in communication and community building and used it to transform material and conceptual approaches to art making across all media. This canon-expanding exhibition documents zines’ relationship to various subcultures and avant-garde practices, from punk and street culture to conceptual, queer, and feminist art. It also examines zines’ intersections with other mediums, including collage, craft, film, drawing, painting, performance, photography, sculpture, and video. Featuring over one thousand zines and artworks by over one hundred artists, Copy Machine Manifestos demonstrates the importance of zines to artistic production and its reception across North America.
17/11/2023 - 31/03/2024
Brooklyn Museum
200 Eastern Pkwy,
NY 11238 Brooklyn
www.brooklynmuseum.org/
Copy Machine Manifestos: Artists Who Make Zines is the first exhibition dedicated to the rich history of five decades of artists’ zines produced in North America. Since the 1970s, zines—short for “fanzines,” magazines, or self-published booklets of texts and images, usually made with a copy machine—have given a voice and visibility to many operating outside of mainstream culture. Artists have harnessed the medium’s essential role in communication and community building and used it to transform material and conceptual approaches to art making across all media. This canon-expanding exhibition documents zines’ relationship to various subcultures and avant-garde practices, from punk and street culture to conceptual, queer, and feminist art. It also examines zines’ intersections with other mediums, including collage, craft, film, drawing, painting, performance, photography, sculpture, and video. Featuring over one thousand zines and artworks by over one hundred artists, Copy Machine Manifestos demonstrates the importance of zines to artistic production and its reception across North America.