Vile, Gotenburg, Sweden, 2016 - © Zancle Muholi, courtesy Yancey Richardson Gallery
TITLE_NAME :
Zanele Muholi
02/11/2017 - 09/12/2017
YANCEY RICHARDSON
Yancey Richardson Gallery is pleased to present a solo exhibition by artist and visual activist, Zanele Muholi. This is the artist’s third exhibition with the gallery. Comprising two bodies of work, Brave Beauties, on show in New York for the first time, and Somnyama Ngonyama (‘Hail, the Dark Lioness’), the exhibition brings together two integral elements within Muholi’s practice; intimate studies of queer life in her native South Africa and self portraiture.
Begun in 2014, Brave Beauties is a series of portraits depicting transwomen in South Africa, and as such represents an overt challenge to a culture that continues to violently discriminate against the LGBTQI community. In a similar vein to the ongoing project Faces and Phases, Muholi creates celebratory photographs of empowered individuals who assert their identities through their confident poses, taking ownership of the spaces they inhabit.
Turning the camera on herself for the Somnyama Ngonyama series, Muholi explores the concepts of self-representation and self-definition by experimenting with different characters and archetypes. The photographs, taken in various cities throughout Europe, the U.S., Asia and Africa, use ad hoc settings and everyday objects as props to reference South African political history, contemporary existence and events in the artist’s personal life. Seen together, these images map her movements as she travels across the world. One image from this series will be exhibited as a floor to ceiling wallpaper. Monumental in scale, the photograph boldly asserts its status as a singular object, forcing the viewer to confront their desire to gaze at Muholi’s black figure.
In both bodies of work, Muholi uses portraiture as a form of exposure to disrupt the dominant images of black women in the media today and to bear witness to both the brutality and the joy of black, queer, lesbian, and transgendered individuals in South Africa.
In a recent article in The Guardian, Muholi states: “This is about our lives, and if queer history, trans history, if politics of blackness and self-representation are so key in our lives, we just cannot sit down and not document and bring it forth.”
In 2006 Muholi founded Inkanyiso, a non-profit organization dedicated to visual art, media advocacy, and visual literacy training for South Africa’s LGBTQI community. This November, Muholi will participate in Performa 17’s “South African Pavilion Without Walls,” by presenting large-scale portraits in public spaces across New York City, including Times Square. In Spring 2018, Aperture will release the monograph Somnyama Ngonyama, featuring one hundred images from the series and twenty-three texts by writers, artists and poets.
02/11/2017 - 09/12/2017
YANCEY RICHARDSON
Yancey Richardson Gallery is pleased to present a solo exhibition by artist and visual activist, Zanele Muholi. This is the artist’s third exhibition with the gallery. Comprising two bodies of work, Brave Beauties, on show in New York for the first time, and Somnyama Ngonyama (‘Hail, the Dark Lioness’), the exhibition brings together two integral elements within Muholi’s practice; intimate studies of queer life in her native South Africa and self portraiture.
Begun in 2014, Brave Beauties is a series of portraits depicting transwomen in South Africa, and as such represents an overt challenge to a culture that continues to violently discriminate against the LGBTQI community. In a similar vein to the ongoing project Faces and Phases, Muholi creates celebratory photographs of empowered individuals who assert their identities through their confident poses, taking ownership of the spaces they inhabit.
Turning the camera on herself for the Somnyama Ngonyama series, Muholi explores the concepts of self-representation and self-definition by experimenting with different characters and archetypes. The photographs, taken in various cities throughout Europe, the U.S., Asia and Africa, use ad hoc settings and everyday objects as props to reference South African political history, contemporary existence and events in the artist’s personal life. Seen together, these images map her movements as she travels across the world. One image from this series will be exhibited as a floor to ceiling wallpaper. Monumental in scale, the photograph boldly asserts its status as a singular object, forcing the viewer to confront their desire to gaze at Muholi’s black figure.
In both bodies of work, Muholi uses portraiture as a form of exposure to disrupt the dominant images of black women in the media today and to bear witness to both the brutality and the joy of black, queer, lesbian, and transgendered individuals in South Africa.
In a recent article in The Guardian, Muholi states: “This is about our lives, and if queer history, trans history, if politics of blackness and self-representation are so key in our lives, we just cannot sit down and not document and bring it forth.”
In 2006 Muholi founded Inkanyiso, a non-profit organization dedicated to visual art, media advocacy, and visual literacy training for South Africa’s LGBTQI community. This November, Muholi will participate in Performa 17’s “South African Pavilion Without Walls,” by presenting large-scale portraits in public spaces across New York City, including Times Square. In Spring 2018, Aperture will release the monograph Somnyama Ngonyama, featuring one hundred images from the series and twenty-three texts by writers, artists and poets.